BABY ANGER

Caroline Poggi, Jonathan Vinel
Franța/ Italia
13 min.

In this ineffable short gem, an abandoned baby ruminates on the edge of the decadent contemporary world, hopping around buildings and clouds, in a scenery that has never mirrored it.  Is there anything left to uncover or love in this world except for discovering food recipes?

​​At its core, “Baby Anger” is a manifestation of a supreme existential angst and paradoxicality, a CGI animated child thrown into the real world, only to discover that his Pixar otherness makes him something of an oddity, a gloomy tool. Jonathan Vinel and Caroline Poggi make things seem just a bit less catastrophic – this baby is leading a raging punk revolution, but the world doesn’t care to notice it. This melange of real footage and CGI images is where this film allows itself to bloom and simultaneously revitalize experimental animation, taking it onto a meta-cinematic terrain (Bébé Colère looks strikingly similar to Vinel, and Vinel and Poggi also play the child’s parents). Its very peak? A crepuscular, elegiac superimposed image of the child absorbing all the light of the dusk. (Georgiana Mușat)

Premii și festivaluri

Screening date and location

Thursday, 18 November @ Elvire Popesco

Capacity 54 seats | Blvd. Dacia 77
Cumpără bilet

CAROLINE POGGI & JONATHAN VINEL

Jonathan Vinel studied editing at La Fémis. Caroline Poggi studied at Paris IV University and at the University in Corsica. Their short film, “As Long As Shotguns Remain” won the Golden Bear at the 2014 Berlinale.Their first feature “Jessica Forever” premiered at the 2019 Berlinale. Their films cross the fluid frontier between cinema, video games, video installations and CGI.

  • Fișa tehnică
  • Producție și distribuție

DURATĂ 13min

ANUL: 2021

Țara: Franța/Italia

DISTRIBUȚIE: Barbara Braccini

SCENARIU: Caroline Poggi, Jonathan Vinel

IMAGINE: Caroline Poggi, Jonathan Vinel

ARTIȘTI 3D: Lucien Krampf, Hugo Glavier, Stanislas Bécot

SUNET: Olivier Voisin

 

PRODUCȚIE: Fondazione Prada, Caroline Poggi, Jonathan Vinel

Screens

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