The seven-month space mission of astronaut Jessica Meir catches the euphoria of the early days into zero gravity of the first all-female spacewalk, which is interrupted by a completely unexpected chance: that seeing the pandemic unfold from the heights of the planet’s orbit.
It is said that the noun “astronaut” cannot be put into a feminie tense. The change must happen, and the need to do so is directly captured in a montage culled from the NASA archives. Jessica Meir is the protagonist of a transition to a new world – a world in which women can explore outer space on their own, while back on Earth, humankind has been enveloped by the pandemic, becoming increasingly alienated as it’s trapped between the four walls of their homes. In a game of intimate distances and closeness, under the sign of isolation, standard space shuttle imagery combines with Meir’s off-screen testimonies, documenting a female victory that is offset by the news from home. Nowadays, the Unknown seems to have landed on Earth. (Daria Barbu)
Vladimir Potop is a Romanian, London-based film-maker and photographer. He graduated from the London College of Fashion in 2012 and has been active as a film-maker ever since. When he wants to take a break from the complicated world of fashion he likes to escape into making experimental documentaries.
Alina Manolache is a documentary film director and producer based in Bucharest. Featured by Filmmaker Magazine as one of the top 5 female directors of IDFA 2020, Manolache is an alumna of Visions du Réel, Jihlava, Dokufest and other prestigious festivals around the globe. She has authored several acclaimed shorts and one feature length documentary, “Lost Kids On the Beach”.
FILM TITLE: 2020: A COVID SPACE ODYSSEY
15′, 2020, Romania / UK
Director: VLADIMIR POTOP, ALINA MANOLACHE
CAST: JESSICA MEIR, ANDREW MORGAN, OLEG SKRIPOCHKA, CHRISTINA KOCH
EDITING: VLADIMIR POTOP, ALINA MANOLACHE
MUSIC: LAMIN FOFANA
PRODUCER: ALINA MANOLACHE, VLADIMIR POTOP
PRODUCTION COMPANY: THE GUARDIAN
WORLD SALES
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E: charlie.wilkie@theguardian.com
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